Movie Review: The Man Who Killed Hitler and Then the Bigfoot (2018)

The Man Who Killed Hitler

Had your fill of holiday cheer? This movie might be for you. . . .

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Movie Review: The Old Man and The Gun (2018)

The Old Man and The Gun

Forrest Tucker is a polite, dapper, and immensely charming 70-year-old man, with old-fashioned manners. He is, as one person who met him briefly explains, “Well, he was also sort of a gentleman.”

He also compulsively robs banks.

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Old Favorites: Horror

spooky-halloween

Now that we’re well into October, it’s that time of year where reading or watching something terrifying just seems . . . right.

I’m not necessarily an avid horror reader or watcher ordinarily, though I do like being scared. My taste veers more toward psychological horror and the horror classics, but I am certainly willing to try other sub-genres.

Some of my favorites?

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Movie Review: The Great Escape (1963)

The Great Escape

In the middle of WWII, the German military was not especially enthused with the idea of tying up resources guarding troublesome POWs who kept wanting to escape. Now, to my mind, it would probably be more logical to separate all the troublesome prisoners from each other, but instead, the Germans decided to lump them all together in a special high-security POW camp. Probably not too surprising when you gather together dozens of escape artists, they end up orchestrating, well, a great escape. . . .

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You Like Westerns, We Like Westerns–Want to Watch More Westerns?

Our library patrons in Berryville really like Westerns. It’s one the most popular book genres we circulate, and of course, our Western movies also are checked out regularly.

And for any of you regular readers, you know I like Westerns, too.

But even when you love something, that doesn’t mean you’re immune to being stuck in a rut. We now have a solution to that for our Western-movie-loving patrons.

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The Mule (2018)

The Mule.jpg

I was raised on a steady diet of Clint Eastwood’s iconic 60s and 70s movies. These were mostly his Westerns, both those of the spaghetti and non-spaghetti persuasion, as well as his cop movies. Though Eastwood has gone on to be a noted director for a wide range of acclaimed films–many of which I have enjoyed–I always still think of Clint as, well, The Man with No Name, Dirty Harry, and Josey Wales.

Man with no Name.png
The Man With No Name (though he does actually have a name in all the movies 😉 )

As Eastwood’s career has shifted behind the camera, his own appearances on the other side of the lens have become somewhat rare. Mary-Esther recently suggested I review his latest movie–The Mule (which he stars in, directed, and produced)–and I’m glad I did! It was an interesting change of pace for him that still plays to his strengths as a performer. Thanks for the great suggestion, Mary-Esther!

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