In the middle of WWII, the German military was not especially enthused with the idea of tying up resources guarding troublesome POWs who kept wanting to escape. Now, to my mind, it would probably be more logical to separate all the troublesome prisoners from each other, but instead, the Germans decided to lump them all together in a special high-security POW camp. Probably not too surprising when you gather together dozens of escape artists, they end up orchestrating, well, a great escape. . . .
I was raised on a steady diet of Clint Eastwood’s iconic 60s and 70s movies. These were mostly his Westerns, both those of the spaghetti and non-spaghetti persuasion, as well as his cop movies. Though Eastwood has gone on to be a noted director for a wide range of acclaimed films–many of which I have enjoyed–I always still think of Clint as, well, The Man with No Name, Dirty Harry, and Josey Wales.
As Eastwood’s career has shifted behind the camera, his own appearances on the other side of the lens have become somewhat rare. Mary-Esther recently suggested I review his latest movie–The Mule (which he stars in, directed, and produced)–and I’m glad I did! It was an interesting change of pace for him that still plays to his strengths as a performer. Thanks for the great suggestion, Mary-Esther!
We’re focusing on newer books, movies, and television shows for 2019, but that doesn’t mean we’re entirely ignoring old favorites! After all, what’s that saying–what’s old may just become new again (or something like that)?
Larry McMurtry celebrated his 83rd birthday earlier this month. Anyone who’s known me any length of time knows I’m a big Lonesome Dove fan. But there is a lot more to McMurtry’s work than that series, great as it is on its own, or even just his Western novels. And if you’re interested in exploring more of his work, well, the library has you covered. . . .
Confession: Until recently, I had never watched a Doris Day movie.
Now, that’s not to say I had anything against Doris Day! I just had never had the opportunity to watch one of her movies and had never given it much thought beyond that.
A couple of our patrons, Joan and her daughter, are big Doris Day fans. Not too long ago, I was helping them find some Doris Day movies when it came out that I had never watched one. They encouraged me to give one a try, and I thought in light of Day’s recent passing at the age of 97, it would make for a good opportunity for a movie review.
So, a big thank you to Joan and her daughter–I did enjoy the Doris Day movie I watched. 🙂
Usually, I try to focus on newer movies and TV shows for my reviews, but while I was researching potential things to write about, I came across last year’s The Predator, a remake of the classic 1980s action/sci fi film Predator.
Now, if I were a fair-minded person, which I often claim to be, I would have given The Predator a chance.
However, I’m not really that fair-minded. Ever since I heard they were working on this remake, I just couldn’t get over the fact that there was no reason to remake the movie. I’d have been much happier if they’d just re-released the original in theater.
Because if you’re looking for a veneer of outrageous, over-the-top 80s action overlaying a far more complex science fiction tale, then you can’t do better than Predator.
So, for that reason, this week I’m reviewing the original (and best) Predator.