I was raised on a steady diet of Clint Eastwood’s iconic 60s and 70s movies. These were mostly his Westerns, both those of the spaghetti and non-spaghetti persuasion, as well as his cop movies. Though Eastwood has gone on to be a noted director for a wide range of acclaimed films–many of which I have enjoyed–I always still think of Clint as, well, The Man with No Name, Dirty Harry, and Josey Wales.
As Eastwood’s career has shifted behind the camera, his own appearances on the other side of the lens have become somewhat rare. Mary-Esther recently suggested I review his latest movie–The Mule (which he stars in, directed, and produced)–and I’m glad I did! It was an interesting change of pace for him that still plays to his strengths as a performer. Thanks for the great suggestion, Mary-Esther!