Alice seems to have jumped from the proverbial frying pan into the fire. In her native England during the Great Depression, she is bored and unhappy, and when she meets a handsome American man named Bennett, she quickly marries him to escape. When they relocate to his home state of Kentucky, she expects a well-to-do urban life, centered perhaps in Lexington. Instead, she finds herself in remote Eastern Kentucky, in impoverished coal country, trapped in an unhappy marriage. When the local pack horse library needs volunteers, Alice signs up, mainly as an excuse to get out of her house and away from her husband and father-in-law. At first, Alice is horrified by the rough people she encounters on her route, but she soon falls in love with her work, the people, and the mountains. Still, the solace she finds in work does nothing to ease her troubles at home. Complications ensue. . . .
Usually on the third Tuesday of every month, I write an Old Favorites post, celebrating favorite classic authors of mine. In the course of researching what to write for November, I learned that today marks the 12th anniversary of the release of the first Kindle. How time flies!
Carol Ann recommended Louise Penny’s Quebec-set Armand Gamache detective series a few months ago. We like a lot of the same authors and books, so I immediately was intrigued. Since then, I’ve noticed we circulate a lot of Louise Penny books, and I’ve had even more folks gush about how much they love the books. I only got around to trying a Gamache book recently, and I am so glad I did! (As always, thanks for the great recommendation, Carol Ann! 🙂 )
Harper Lee is famous for her beloved classic To Kill A Mockingbird-–just last year it won The Great American Read and was so universally popular that it always led the public’s voting for favorite book by a wide margin for the entire duration of the vote.
However, Lee is perhaps just as famous for the fact that To Kill A Mockingbird is her only book. Sure, publishers released her Go Set a Watchman a few years ago, but in truth, that was just the very early draft of To Kill A Mockingbird and not a new book.
That’s not to say that Lee never tried to write another book, however.
According to Casey Cep’s debut Furious Hours, Lee worked for years on a true crime manuscript about a bizarre case of murder and insurance fraud in 1960s/1970s Alabama. . . .
I was raised on a steady diet of Clint Eastwood’s iconic 60s and 70s movies. These were mostly his Westerns, both those of the spaghetti and non-spaghetti persuasion, as well as his cop movies. Though Eastwood has gone on to be a noted director for a wide range of acclaimed films–many of which I have enjoyed–I always still think of Clint as, well, The Man with No Name, Dirty Harry, and Josey Wales.
As Eastwood’s career has shifted behind the camera, his own appearances on the other side of the lens have become somewhat rare. Mary-Esther recently suggested I review his latest movie–The Mule (which he stars in, directed, and produced)–and I’m glad I did! It was an interesting change of pace for him that still plays to his strengths as a performer. Thanks for the great suggestion, Mary-Esther!
Confession: Until recently, I had never watched a Doris Day movie.
Now, that’s not to say I had anything against Doris Day! I just had never had the opportunity to watch one of her movies and had never given it much thought beyond that.
A couple of our patrons, Joan and her daughter, are big Doris Day fans. Not too long ago, I was helping them find some Doris Day movies when it came out that I had never watched one. They encouraged me to give one a try, and I thought in light of Day’s recent passing at the age of 97, it would make for a good opportunity for a movie review.
So, a big thank you to Joan and her daughter–I did enjoy the Doris Day movie I watched. 🙂
I usually am up-to-date on my Masterpiece Theater viewing, but I missed this biopic about the Brontë sisters when it first aired a couple of years ago. Fortunately, Mary-Esther suggested it to me, and I’m glad she did! It’s a well-acted, well-made dramatization of one of the most famous literary families in history.