I was an enthusiastic Downton Abbey fan back in the day, though I must admit that my enthusiasm waned in the latter years of the show. Not that it stopped me from watching it religiously through its finale in 2015. However, I will admit to having some considerable skepticism when a movie was released last year. I wasn’t, quite frankly, inclined to watch, but I heard so many positive reviews that I decided to cave. And I’m glad I did!
In the middle of WWII, the German military was not especially enthused with the idea of tying up resources guarding troublesome POWs who kept wanting to escape. Now, to my mind, it would probably be more logical to separate all the troublesome prisoners from each other, but instead, the Germans decided to lump them all together in a special high-security POW camp. Probably not too surprising when you gather together dozens of escape artists, they end up orchestrating, well, a great escape. . . .
At one point in her life, she was a successful author, writing biographies of famous women like the actress Tallulah Bankhead. She was even on the New York Times Bestseller list.
But that was years ago. Now, she can’t find work and is behind on her rent. The only friend she has is her ailing cat, and nobody will return her phone calls. As far as Lee is concerned, the fact she is now living in poverty and unemployed is a disgrace.
Her longtime agent, though, is less confused about why Lee has been snubbed by the literary world–just because she wrote a bestseller doesn’t mean she’s famous, her proposed new book subject is unmarketable, and Lee herself is just thoroughly unpleasant to deal with. Nobody wants to work with her.
Her agent advises her to seek a different line of work. And that’s just what Lee does. She starts forging letters from famous, deceased authors and selling them to collectors and antique dealers. Needless to say, complications ensue.
I mean, even if you’re not a fan of Godzilla movies, you know who he is. And you probably know about the current American reboot of the series, which started in 2014, included this year’s Godzilla: King of the Monsters, and will wrap up next year with Godzilla vs King Kong.
However, you may not be aware that a couple of years ago, Japanese filmmakers made their own original Godzilla movie, the first in over a decade.
I went into this movie not having the slightest clue what the plot was. Really, all I knew is that it was a Japanese Godzilla movie made in 2016. And I really liked it! Thanks to Julie for ordering this for me and adding it to the collection!
I was raised on a steady diet of Clint Eastwood’s iconic 60s and 70s movies. These were mostly his Westerns, both those of the spaghetti and non-spaghetti persuasion, as well as his cop movies. Though Eastwood has gone on to be a noted director for a wide range of acclaimed films–many of which I have enjoyed–I always still think of Clint as, well, The Man with No Name, Dirty Harry, and Josey Wales.
As Eastwood’s career has shifted behind the camera, his own appearances on the other side of the lens have become somewhat rare. Mary-Esther recently suggested I review his latest movie–The Mule (which he stars in, directed, and produced)–and I’m glad I did! It was an interesting change of pace for him that still plays to his strengths as a performer. Thanks for the great suggestion, Mary-Esther!