In the middle of WWII, the German military was not especially enthused with the idea of tying up resources guarding troublesome POWs who kept wanting to escape. Now, to my mind, it would probably be more logical to separate all the troublesome prisoners from each other, but instead, the Germans decided to lump them all together in a special high-security POW camp. Probably not too surprising when you gather together dozens of escape artists, they end up orchestrating, well, a great escape. . . .
At one point in her life, she was a successful author, writing biographies of famous women like the actress Tallulah Bankhead. She was even on the New York Times Bestseller list.
But that was years ago. Now, she can’t find work and is behind on her rent. The only friend she has is her ailing cat, and nobody will return her phone calls. As far as Lee is concerned, the fact she is now living in poverty and unemployed is a disgrace.
Her longtime agent, though, is less confused about why Lee has been snubbed by the literary world–just because she wrote a bestseller doesn’t mean she’s famous, her proposed new book subject is unmarketable, and Lee herself is just thoroughly unpleasant to deal with. Nobody wants to work with her.
Her agent advises her to seek a different line of work. And that’s just what Lee does. She starts forging letters from famous, deceased authors and selling them to collectors and antique dealers. Needless to say, complications ensue.
I mean, even if you’re not a fan of Godzilla movies, you know who he is. And you probably know about the current American reboot of the series, which started in 2014, included this year’s Godzilla: King of the Monsters, and will wrap up next year with Godzilla vs King Kong.
However, you may not be aware that a couple of years ago, Japanese filmmakers made their own original Godzilla movie, the first in over a decade.
I went into this movie not having the slightest clue what the plot was. Really, all I knew is that it was a Japanese Godzilla movie made in 2016. And I really liked it! Thanks to Julie for ordering this for me and adding it to the collection!
I was raised on a steady diet of Clint Eastwood’s iconic 60s and 70s movies. These were mostly his Westerns, both those of the spaghetti and non-spaghetti persuasion, as well as his cop movies. Though Eastwood has gone on to be a noted director for a wide range of acclaimed films–many of which I have enjoyed–I always still think of Clint as, well, The Man with No Name, Dirty Harry, and Josey Wales.
As Eastwood’s career has shifted behind the camera, his own appearances on the other side of the lens have become somewhat rare. Mary-Esther recently suggested I review his latest movie–The Mule (which he stars in, directed, and produced)–and I’m glad I did! It was an interesting change of pace for him that still plays to his strengths as a performer. Thanks for the great suggestion, Mary-Esther!
Confession: Until recently, I had never watched a Doris Day movie.
Now, that’s not to say I had anything against Doris Day! I just had never had the opportunity to watch one of her movies and had never given it much thought beyond that.
A couple of our patrons, Joan and her daughter, are big Doris Day fans. Not too long ago, I was helping them find some Doris Day movies when it came out that I had never watched one. They encouraged me to give one a try, and I thought in light of Day’s recent passing at the age of 97, it would make for a good opportunity for a movie review.
So, a big thank you to Joan and her daughter–I did enjoy the Doris Day movie I watched. 🙂
I usually am up-to-date on my Masterpiece Theater viewing, but I missed this biopic about the Brontë sisters when it first aired a couple of years ago. Fortunately, Mary-Esther suggested it to me, and I’m glad she did! It’s a well-acted, well-made dramatization of one of the most famous literary families in history.
Usually, I try to focus on newer movies and TV shows for my reviews, but while I was researching potential things to write about, I came across last year’s The Predator, a remake of the classic 1980s action/sci fi film Predator.
Now, if I were a fair-minded person, which I often claim to be, I would have given The Predator a chance.
However, I’m not really that fair-minded. Ever since I heard they were working on this remake, I just couldn’t get over the fact that there was no reason to remake the movie. I’d have been much happier if they’d just re-released the original in theater.
Because if you’re looking for a veneer of outrageous, over-the-top 80s action overlaying a far more complex science fiction tale, then you can’t do better than Predator.
So, for that reason, this week I’m reviewing the original (and best) Predator.