I mean, even if you’re not a fan of Godzilla movies, you know who he is. And you probably know about the current American reboot of the series, which started in 2014, included this year’s Godzilla: King of the Monsters, and will wrap up next year with Godzilla vs King Kong.
However, you may not be aware that a couple of years ago, Japanese filmmakers made their own original Godzilla movie, the first in over a decade.
I went into this movie not having the slightest clue what the plot was. Really, all I knew is that it was a Japanese Godzilla movie made in 2016. And I really liked it! Thanks to Julie for ordering this for me and adding it to the collection!
I was raised on a steady diet of Clint Eastwood’s iconic 60s and 70s movies. These were mostly his Westerns, both those of the spaghetti and non-spaghetti persuasion, as well as his cop movies. Though Eastwood has gone on to be a noted director for a wide range of acclaimed films–many of which I have enjoyed–I always still think of Clint as, well, The Man with No Name, Dirty Harry, and Josey Wales.
As Eastwood’s career has shifted behind the camera, his own appearances on the other side of the lens have become somewhat rare. Mary-Esther recently suggested I review his latest movie–The Mule (which he stars in, directed, and produced)–and I’m glad I did! It was an interesting change of pace for him that still plays to his strengths as a performer. Thanks for the great suggestion, Mary-Esther!
Confession: Until recently, I had never watched a Doris Day movie.
Now, that’s not to say I had anything against Doris Day! I just had never had the opportunity to watch one of her movies and had never given it much thought beyond that.
A couple of our patrons, Joan and her daughter, are big Doris Day fans. Not too long ago, I was helping them find some Doris Day movies when it came out that I had never watched one. They encouraged me to give one a try, and I thought in light of Day’s recent passing at the age of 97, it would make for a good opportunity for a movie review.
So, a big thank you to Joan and her daughter–I did enjoy the Doris Day movie I watched. 🙂
I usually am up-to-date on my Masterpiece Theater viewing, but I missed this biopic about the Brontë sisters when it first aired a couple of years ago. Fortunately, Mary-Esther suggested it to me, and I’m glad she did! It’s a well-acted, well-made dramatization of one of the most famous literary families in history.
Usually, I try to focus on newer movies and TV shows for my reviews, but while I was researching potential things to write about, I came across last year’s The Predator, a remake of the classic 1980s action/sci fi film Predator.
Now, if I were a fair-minded person, which I often claim to be, I would have given The Predator a chance.
However, I’m not really that fair-minded. Ever since I heard they were working on this remake, I just couldn’t get over the fact that there was no reason to remake the movie. I’d have been much happier if they’d just re-released the original in theater.
Because if you’re looking for a veneer of outrageous, over-the-top 80s action overlaying a far more complex science fiction tale, then you can’t do better than Predator.
So, for that reason, this week I’m reviewing the original (and best) Predator.
Okay, so I’ve never really watched the show Survivor, but the catchphrase is embedded in my brain from years of commercials: “Outwit, outlast, outplay.” If one were to devise a similar catchphrase for the historical comedy film The Death of Stalin, it would probably be “Out-scheme, out-mourn, outlive”. . . .
It’s that time of year where entertainment is Santa, Christmas, and snow, non-stop. Not that there’s anything wrong with that, but if you, like me, need a break from all that, perhaps 1980s cult classic comedy Rustler’s Rhapsody will do the trick!
Rex O’Herlihan (Tom Berenger, Platoon, Gettysburg) is a singing cowboy, one of the good guys. You can tell because he has a fancy wardrobe and follows a code of honor that involves only shooting the bad guy in the hand. This plays well in the singing cowboy movies he was designed for but is substantially less useful when he’s dropped into the real world. . . .